Writing “Rules”

Admittedly, upon waking this morning and reading the Weather Channel’s description of the cool temperature and slight breeze, I bolted outside in my pajamas to confirm for myself.  I appreciate every change of season as it comes, but there’s something about fall.  Perhaps it’s the (lifelong, I suspect) association with a new school year, but summer to fall feels like the greatest shift of all.  It feels like a shift that permeates not only the temperature and the leaf color, but people’s lives.  Big things are afoot, my friends, for you and for me.  Even if we don’t know what these big things are yet.

What I have for you today, far from the promised materialism of Friday Favorites, are my writing “rules.”  I typed these out last night instead of working on a short story.  That’s right: I wrote rules for writing instead of actually applying the rules and writing.  Though writing the rules was writing …  just not the kind of writing I was thinking of when I wrote them.

Right.  Or write, if you’d prefer.

Needless to say, I don’t actually believe that my writing rules should be your rules, or even that my rules apply to my writing all of the time (thus the obnoxious quotations around “rules”).  But it was a surprisingly good time to think about how I write and how I’d like to write and how I live so that I might write.

Holly’s Written “Rules” For Writing

1. Never show a first draft.  No matter how encouraging your reader is, the brilliancy of your fragile baby draft will shrink in your eyes once you let another’s eyes judge it.  Wait until a draft is as good as you can make it before you let people tell you how far it has yet to go.

"The first draft of anything is shit." -Ernest Hemingway

“The first draft of anything is shit.”  -Ernest Hemingway

2. When stumped, start over.  And by start over, I mean start a new word document, entirely separate from the stump-inducing one.  Retype the parts you liked on the old document, but do so without looking.  This is how you find a new angle: via blank slate.

3. Find your writing power song and don’t be too proud to use it.  Mine is “Briony” from the Atonement film score.  Because of the typewriter sounds.  Note: your power song does not need to be subtle.

4. Read your work out loud, even when you don’t want to, or are in public.  You will always catch typos and icky-sounding syntax that you couldn’t possibly have otherwise.

5. Write down an idea, name, image, conversation the minute it strikes you.  You will have forgotten it by the following morning otherwise.  See “Marble Memo” post for my portable solution.

6. The power of mulling is highly underestimated.  Not everything to do with writing has to do with the act of putting pen to paper or fingers to keyboard.  Sometimes the solution to a plot tangle is to write until you get it right.  Other times, you simply have to puzzle it out to yourself while circling the local roundabout intersection in your Subaru.

7. Even if you can’t take criticism well, learn to take it and then cry later.  Because you need criticism.

8.  Do things.  Meet people.  Be out in the world.  Be afraid and uncomfortable and awkward and curious.  Let it all filter into your writing.  Emily Dickinson has dibs on the secluded attic writer, and goodness knows we couldn’t do it as well as her anyway.

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9. Tell people you’re a writer.  The title “writer” has nothing to do with publishing status or age or degree.  If you love writing and do it often–whether for hobby or for career–then you’re a writer.  Revel in the raised eyebrows that will often follow your proclamation.  Don’t forget to adopt the Hemingway swagger as you walk away.

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10. Let yourself be intimidated by the greats.  Let yourself revel in their genius, regardless of who the greats are for you.  For me, they’re primarily Scott Fitzgerald and Virginia Woolf.  And they scare me and sometimes make me feel like I will never amount to anything because I don’t write like Scott Fitzgerald and Virginia Woolf.  But they also make me proud to be part of this rowdy clan of crazy genius writers.

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11.  Write your own writing rules.  Or know them, at least.  Make some standards for yourself and stick to them.  This is how we prove to those eyebrow raisers (and to ourselves) that what we do is as important and as “real” of a job as, say, accounting.

If you do write your own writing rules, share them with me.  Comment with the link.  I’d love to read them.

The Waiters: A Short Story

Because it’s cold, and because I’ve been using said chill to justify a long afternoon of lazing around the house, and because having finally settled down with my Feminist Theory readings, I find myself engrossed, I’m posting a story.

I wrote this several years ago, submitted it to First Line Fiction, and won third place.  Having come a long way since 2010, parts of this were painful to reread.  You may cringe at the sentimentality.  You may wonder what on earth led me to disregard quotation marks.  But please know that I’m right there with you.

That being said, I do like a few things about this story, hence I’m submitting it to the Internet for the second time.

I also think this blog needs a little fiction every now and then, if only to punctuate many days of non-fiction ranting.

Here you go.  Happy MLK Day!

The Waiters

He brought in his shirt pocket the last photograph he’d taken of his son.

Poor guy.  You should have seen the way he walked into the office that afternoon.  He wore a yellow jacket that seemed inappropriate.  Its brightness contrasted with the hollow expression on his face so drastically that it was almost shocking.  I was relieved when he took the jacket off, carefully hanging it up on the rack in the corner of the waiting room. 

And then the man began to slowly cross, crumpling a little with each step.  I imagined that he’d be on his knees before he even reached the chair.  I imagined myself putting my hand on the shrugged shoulder, shouting into a wrinkled ear.  He made it though, sitting next to me as I knew he would.  There was no other place, after all.  The waiting room was full of people waiting, most of whom were buried in magazines or clicking on small phones.

He began talking as soon as he sat down.  Talking to me, or so I figured after a few seconds.

I had a son once, he said.

A son?  This was before I decided he was speaking to me and not to someone else.

Yes.  He died, though.  Car accident.

I’m sorry.  Because that’s what you say, isn’t it?  I’m sorry?  I’m sorry I can’t know what you’re going through, and I’m sorry that I’m going to try my hardest to comfort you anyway.  I’m sorry I don’t understand.

Thank you, he said simply.  I thought that would be it, and I could go back to staring at the wall.

He continued, though.  So many people die that way; it isn’t terribly original.  But my son doesn’t die that way.  My son doesn’t die.

He did, though.  I spoke softly, hoping he would know that I wasn’t trying to hurt him with my bluntness.  I wanted him to keep talking all of the sudden.  I wanted to know how this man had come to be folded into himself.  How his eyes got to be the way they were now.  Drowning.  He could see, but he wasn’t really looking out of them.  I saw all of these things in that waiting room, and I wanted him to keep talking.

The man paused for a moment, fiddling with the pocket at the front of his shirt.  Out of the pocket he plucked a folded bit of paper.  A photograph; it said Kodak across the back.  He unfolded the photograph and stared at it for a few seconds before folding it once more. 

He took a deep breath before he spoke again.  Afterwards, we all mourned.  No one talked during meals anymore.  My wife and I cried ourselves to sleep every night.  We tried to comfort one another.  I tried so hard.  But it is so very difficult to dig yourself out of the well of your own grief and reach for someone else.

Suddenly the man looked up at me, as if just realizing that he was talking to an actual person who was listening. 

He looked down again at the photo in his hands and continued.  My wife stopped grieving after awhile.  She got on with her life.  She went back to work.  She started running with the dog in the morning.  She drove our daughters to lacrosse and modern jazz.  She didn’t understand why I couldn’t get up too.  She used to become angry with me.  Why can’t you get over him?   She would yell.  Why can’t you see that he’s gone and that we’re left? You have two other children.  You have a job.  This needs to stop.  The man looked at me again, warily this time.  Do you have a job?

I nodded.  I deliver packages.  I drive a truck and I stop and I make people sign for brown boxes or tan envelopes.

The man took this in.  Do you enjoy your work?  He asked me.

I thought for a moment.  Then I answered.  I enjoy the people.  I watch them.  I guess what they’re like, what their names are. 

Do you ever get them right?

I don’t know if I do or not. 

The man frowned.  I would like to know.   He unfolded the photograph again and stared at it again.  I would like to know.

I saw that he was on the verge of crying.  His eyes squinted up and his knees shook a bit.  People across the room were beginning to look at us.  Not obviously looking, but peering at us every so often over their Newsweeks, as if to warn us that they didn’t want to overhear, but that they would if we spoke any louder.  They didn’t want to overhear.  They didn’t want a share in the anguish on the man’s face, the bewilderment on mine.  They read their magazines.

The man shuddered three more times and was still. 

He began to speak again after a few minutes.  I realized soon that I could lose my wife as well.  That she wouldn’t die, but that she would be just as permanently and irrevocably gone if I didn’t stop missing my son.  So I stopped.  I had to, you see.  I knew if I lost anything else I would disappear completely myself.  Everything tying me down would be gone.  I would be gone too. 

I stretched my legs out across the carpet and arched my back a little bit.  I wasn’t bored; I was only sore from sitting so long.  He knew I wasn’t bored.  Even if I had been, I don’t think he would have stopped.  We both knew now that he needed to say these things.  We both knew I needed to hear.

He kept talking through my stretch; his gaze wandered down to my brown boots and anchored on to them. 

I donated all of my son’s clothes, and cleaned his room.  I even took down his posters and painted over his walls with the spring green color my wife picked.  The paint erased my son’s smell until I couldn’t breathe in that room anymore.  I was about to shut his door behind me for the last time when I spotted the edge of something white sticking out from under the bed.

It was the photograph, wasn’t it?

The man nodded gravely.  I had taken it a few weeks before he died.  We were driving in my old convertible going west.  West like the pioneers, my son had shouted joyfully.  While we were stopped at a red light, my son dug the camera out of his backpack and thrust it at me.  We were laughing hard, like two teenagers instead of one.  My son rested one arm on top of the rolled-down window and leaned back away from me.  He grinned the same smile I had seen all his life.  My son leaned back into the wind against the highway and grinned while I took the picture.

It was all too much for the man then.  He dropped his head into the picture in his hands and sobbed soundlessly.  His back rose and fell with each rolling breath, and as I deliberated patting him gingerly on the shoulder blade, I intercepted a few raised eyebrows from across the room.  I shot those eyebrows straight back, sending most of the waiters diving back into their Popular Sciences.  I wasn’t a big man.  I wasn’t even a brave man.  Not then.  But I knew when things were private.  This was between the man, the photograph of his son, and me.

When the man finally calmed down he looked relieved.  Now he could finish.

Very slowly he opened the photograph in his hands.  I couldn’t quite see it, but I didn’t fail to be amazed at its proximity.  I only had to raise my eyes.  I didn’t, though.  I waited.

He spoke.  The last photograph of my son, the one I clung to when my wife wasn’t around, the one that allowed me to keep him and to keep myself together…He trailed off.  He wasn’t sure how to end, now that he had begun to end.

He tried again.  The last photograph of my son is something I both love and hate.  I can’t make myself throw it away, and yet it feels heavy in my pocket.  He stopped.

A woman had walked into the waiting room, and was now looking around with a definite air of impatient authority.  She called out a name.  I didn’t hear, but I guess the man did because he slowly stood and walked towards her with that same worn down gait he had entered on.

I sat back in my chair and looked around the room.  The other waiters stared boldly at me now.  I dropped my head, all defiance gone.  I sat and I thought.  I knew this was a story I would remember, not just another observation to drop in my brain like a marble.  I wondered if I would ever retell it.  I wondered how I would do it.  But mostly I wondered how it ended.

How did I know about the photograph in the man’s pocket?  Because he told me about it while we waited.

On his way out, the he passed me with only a nod.  Thank you, he said quietly, slipping either arm into that inappropriate yellow jacket.  I stared, decided.

Yes I must.  Sir!  I bounded after him past the alarmed waiters. Sir can I please see the photograph of your son?

He looked at me in his watery way, and then seemed to surface.  I imagined the last waves breaking around his eyes before receding like the tide.  Yes, he replied.  Yes of course you can see my son. 

Slowly he reached towards his pocket and drew out the creased picture.  He handed it to me without unfolding it.  Perhaps he thought that by unfolding it himself it would only make it harder.  Perhaps he needed me to take it from him, to hold his regret and his pain for a little while.

I unfolded the picture and stared at it for what felt like a long time.  I wanted him to feel me take it in.  But really it only took me a moment to understand.

As I handed the picture back to him and watched him refold it and set it gently into the same pocket, I listened to him speak the last words he ever said to me.  I had a son once, he explained patiently, as if we were starting over, as if we were just meeting each other.  I had a son once and he died.  I had a son once, and the last photograph I ever took of him captured only his elbow. 

I stood and saw the glass door swing shut behind him, watched it forget instantly that such a man had ever passed through. 

You know, with people you meet when you’re delivering packages, you can guess.  You can assume that a woman is snobbish, or that a man is out of sorts and late for work.  You can guess about them, and it never has to bother you if you’re right or if you’re wrong.  You can just let your imaginings hang in the air above your head.

Sons and photographs, I have come to realize, are a different matter altogether.  With them, you have to wonder your whole life why you didn’t look through the lens before snapping the shutter.  You have to wish that you had taken the time to aim, wish that you hadn’t been too captivated by the living, breathing boy to focus on capturing all of him forever.

Eventually, though, you have to know that when you tell the story of your son in a waiting room, when people listen, and when people look at the photograph of your son afterwards, that those waiters see all of him.  You have to know that those waiters see all of you too.

Rain in November: A Brief Story

“I’d forgotten that it rains in November,” Holly said profoundly, leaning chin against palm and gazing out the window.  The neighbor’s plump yellow lab was crouched under the lilac bushes, as usual.  The bushes had lost their leaves over a month ago, but Francis seemed unaware that his cover was blown.  Anyone who walked down the sidewalk was greeted with what Francis considered to be a surprise attack.  It always ended up being mostly slobber, and some hardly menacing woofs.  Satisfied, Francis would then slink back into his prickly cave, looking over his shoulder to make sure no one was watching.

Holly was supposed to be writing her Grammar and Language paper.  She was supposed to be doing an online activity for Teach for America.  She was supposed to be researching Virginia Woolf, researching fortune in Renaissance romance, cleaning her room.  Instead, she had freshly painted toenails and about a thousand new recipe ideas from Pinterest.

The rain was hypnotizing, it was dulling.  Droplets of it splattered Francis’ exposed yellow nose, which was, to his great chagrin, turning grey at the edges.  Fat, wet globes grazed the Carnegie library across the street, flattening out before slithering down the brick walls.  Cars went by in slow motion, their drivers rendered sweaty and sleepy from seat heaters.

And inside, Jordan and Natalie studied in the breakfast nook, their woolen feet propped on the bench opposite.  A small fly threw itself again and again at the exposed lightbulb in the bathroom, which someone had left turned on.  Holly considered rearranging her bookshelf: classics at the forefront, popular fiction shoved behind.  Jordan pulled off his tam, ran his hand against the back of his head.  The fly grinned in delight as its papery flesh sizzled against the fluorescent.  Holly applied lipstick slowly, filling in every pink groove with red wax.  It tasted like those little bottles of juice Mom used to buy for her and Amy every so often.  Once the neon liquid was gone, one could bite into the soft plastic.  Natalie typed a few words into her laptop, considered Jordan, considered the window, considered the cupboards and the paper bag full of recyclables.  The fly rested on the toilet seat, staring up at the white-yellow globe, felt its rapid heart swell with adoration.

Below, Francis tucked his tail more securely under him, felt the rain let up.

Here’s What’s Happening

Here’s what’s happening:

1.  I’m desperately trying to figure out what to do with my summer.  So far I have research that will last until the end of July, a few hours of an office job that will last until the end of June, and a solar systems class that could potentially kick my butt (but that would get rid of my very last gen. ed.).  But I don’t have an official job that will earn me a decent amount of money.  And this, for a girl who’s planning on graduate school, is problematic.  I’ve had two interviews so far, one for groundskeeping and one for a crazy job that would entail peddling gas cards to various local businesses.  I didn’t get either position, which I guess is good as neither of them sounded like they were up my alley, but still.  I think my only option may be to beg for a library position.  I just want to get this all straightened out because I have bigger fish to fry right now (see below).

2.  I have six papers to write before the end of the semester.  The semester ends on May 11th.  I also have two large final exams to take.  I also have a presentation to put together.  I also have to do basic things, like eat, sleep, and attempt social interaction.

3.  As my Politics and Film class is two hours long, we traditionally have a ten minute break after the first hour.  During said break this evening, half the class (led by the professor, I might add) went into an informational session that was taking place down the hall, and stole leftover pizza.  And cookies.  And no one stopped us.

4.  My second short story for Advanced Fiction Writing has progressed exactly a paragraph.  It’s about cannibalism in space.  And when/if I ever get a large chunk of time during which to sit down and write it, I will be absolutely thrilled.