The Oak Tree in my Foot

There was an oak tree in my foot.

It happened when I stepped out onto the deck to snatch dry clothes from the rail before the dark and damp set in.

I heard a crunch under my bare foot, but didn’t realize what had happened until the next morning when I saw the small acorn, splintered and crushed, and felt the bruise in my heel.

By then it was too late.

In the night the bits of acorn in my heel had sprouted thin white tendrils.

The tendrils wound through plains of muscle, delicate vein tunnels, nerves lit up like small cities.

The roots stretched toward the extremities of my left foot, only ceasing their growth when they reached the tip of my big toe.

Then the acorn shards in my heel began to thicken.

The next night while I slept, a tree trunk the circumference of a ChapStick tube poked softly through the bandage I had carefully applied.

It grew downward, splayed into parallel arcs.  Leaves fluttered out, already yellow and orange.

The tiny oak grew acorns of its own and dropped them until they littered the foot of my bed like a forest floor.

The oak tree lived an entire lifetime in one night, hurrying so that by the time I endeavored to put my feet on the floor the next morning, it would only be a stump, a splinter in my heel.

Oak trees aren’t unintelligent, you see.

When mom plucked out the splinter, it was only a splinter.

And when I found a tangled clump of bark and crumbling leaves at the foot of my bed, I blamed the dog.

Between Books

I apologize for the quiet week posting-wise.  I blame it on being between books; I began one, discarded it, began another, discarded it.  I knew I wanted to read something, but couldn’t figure out what.  I spent a great deal of time staring at my bookshelves, and the rest of the time watching mindless YouTube videos and scrolling through Pinterest.  I was generally listless and uninspired and only wanted lukewarm broth with noodles when lunchtime rolled around.  You know the feeling.

Last night I finally settled on one: The White Forest, by Adam McOmber.  It’s ethereal and mysterious and Victorian (three of my favorite qualities in a novel) and it’s just exactly what I’ve been craving.

Today, thank goodness, my productivity levels are up again.  I woke up at a respectable 10:00, put on some flannel, cleaned my room while listening to This American Life, and went out into the 53-degree world with blissful purpose.  I mailed a care package to Amy, who is homesick over there in cheesehead land.  Mom and I visited Ojiketa Regional Park to check out Art Blitz.  Then we went to Sunrise River Farm for apples and apple bread and apple butter.  And I tried to scratch a donkey’s nose.  He tossed his head away, disgruntled that I hadn’t brought a food offering for him.  I guess I see his point.

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Writing “Rules”

Admittedly, upon waking this morning and reading the Weather Channel’s description of the cool temperature and slight breeze, I bolted outside in my pajamas to confirm for myself.  I appreciate every change of season as it comes, but there’s something about fall.  Perhaps it’s the (lifelong, I suspect) association with a new school year, but summer to fall feels like the greatest shift of all.  It feels like a shift that permeates not only the temperature and the leaf color, but people’s lives.  Big things are afoot, my friends, for you and for me.  Even if we don’t know what these big things are yet.

What I have for you today, far from the promised materialism of Friday Favorites, are my writing “rules.”  I typed these out last night instead of working on a short story.  That’s right: I wrote rules for writing instead of actually applying the rules and writing.  Though writing the rules was writing …  just not the kind of writing I was thinking of when I wrote them.

Right.  Or write, if you’d prefer.

Needless to say, I don’t actually believe that my writing rules should be your rules, or even that my rules apply to my writing all of the time (thus the obnoxious quotations around “rules”).  But it was a surprisingly good time to think about how I write and how I’d like to write and how I live so that I might write.

Holly’s Written “Rules” For Writing

1. Never show a first draft.  No matter how encouraging your reader is, the brilliancy of your fragile baby draft will shrink in your eyes once you let another’s eyes judge it.  Wait until a draft is as good as you can make it before you let people tell you how far it has yet to go.

"The first draft of anything is shit." -Ernest Hemingway

“The first draft of anything is shit.”  -Ernest Hemingway

2. When stumped, start over.  And by start over, I mean start a new word document, entirely separate from the stump-inducing one.  Retype the parts you liked on the old document, but do so without looking.  This is how you find a new angle: via blank slate.

3. Find your writing power song and don’t be too proud to use it.  Mine is “Briony” from the Atonement film score.  Because of the typewriter sounds.  Note: your power song does not need to be subtle.

4. Read your work out loud, even when you don’t want to, or are in public.  You will always catch typos and icky-sounding syntax that you couldn’t possibly have otherwise.

5. Write down an idea, name, image, conversation the minute it strikes you.  You will have forgotten it by the following morning otherwise.  See “Marble Memo” post for my portable solution.

6. The power of mulling is highly underestimated.  Not everything to do with writing has to do with the act of putting pen to paper or fingers to keyboard.  Sometimes the solution to a plot tangle is to write until you get it right.  Other times, you simply have to puzzle it out to yourself while circling the local roundabout intersection in your Subaru.

7. Even if you can’t take criticism well, learn to take it and then cry later.  Because you need criticism.

8.  Do things.  Meet people.  Be out in the world.  Be afraid and uncomfortable and awkward and curious.  Let it all filter into your writing.  Emily Dickinson has dibs on the secluded attic writer, and goodness knows we couldn’t do it as well as her anyway.

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9. Tell people you’re a writer.  The title “writer” has nothing to do with publishing status or age or degree.  If you love writing and do it often–whether for hobby or for career–then you’re a writer.  Revel in the raised eyebrows that will often follow your proclamation.  Don’t forget to adopt the Hemingway swagger as you walk away.

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10. Let yourself be intimidated by the greats.  Let yourself revel in their genius, regardless of who the greats are for you.  For me, they’re primarily Scott Fitzgerald and Virginia Woolf.  And they scare me and sometimes make me feel like I will never amount to anything because I don’t write like Scott Fitzgerald and Virginia Woolf.  But they also make me proud to be part of this rowdy clan of crazy genius writers.

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11.  Write your own writing rules.  Or know them, at least.  Make some standards for yourself and stick to them.  This is how we prove to those eyebrow raisers (and to ourselves) that what we do is as important and as “real” of a job as, say, accounting.

If you do write your own writing rules, share them with me.  Comment with the link.  I’d love to read them.